Extracts from ; Nicolas Bourriaud: Relational Aesthetics. Paris: Presses du réel, 2002. ISBN 2-84066-060-1
It became increasingly apparent, following my work in RIPU that the material use for my work in my 'WORKMAN ' exhibition, whilst being relevant, was not as suitable as it perhaps could be. To reference or embody time and the landscape or the self and memory would perhaps work better using clay. I did some experiments using coal in clay and found that the coal burnt out and left a space which was an obvious link to loss, memory and time. This thinking builds directly on the reading and work done in RIPU.
When I moved to Norfolk a 'Blog' was just someones surname. However, I'm not Very good of keeping all my thoughts in one place, nor even recording them before moving onto the next thing. I hope that this might help me order things as I don't work particularly well in sketchbooks and it may at least help me keep things in one place.